FUNERAL

目錄

第一篇：FUNERAL第二篇：the FUNERAL第三篇：FUNERAL customs第四篇：at the FUNERAL第五篇：west FUNERAL custom更多相關範文

正文

第一篇：FUNERAL

葬禮上matthew的悼詞幾乎成了全片的焦點台詞。 美國詩人 w.h auden的詩：FUNERAL bluesstop all the clocks,cut off the telephone,prevent the dog from barking with a juicy bone,silence the pianos and with muffled drum,bring out the coffin,let the mourners aeroplanes circle moaning overhead,scribbling on the sky the message he is dead,put crepe bows round the white necks of the publicdoves,let the traffic policemen wear black cotton was my north,my south,my east and west,my working week and my sunday rest,my noon,my midnight,mu talk,my song;i thought that love would last forever:i was stars are not wanted now;put out every one;pack up the moon and dismantle the sun;pour away the ocean and sweep up the wood;for nothing now can ever come to any good.停掉時鐘， 拔掉電話給狗兒骨頭讓它停止吠叫讓鋼琴靜默，將鼙鼓蒙起抬出靈慪，讓悼念的人羣彙集讓飛機在上空盤旋悲鳴在蒼穹潦草寫下：他已逝去為白鴿頸間繫上黑紗讓交通警察換上黑色手套他是我的南北西東他是我的工作日，我的星期天我的正午，我的夜晚我的話語，我的歡歌我總以為愛能不朽，但我錯了如今星辰已不再需要，讓它們熄滅了吧收起月亮，搬走太陽，掃光森林，傾盡海洋，因為世間從此不再美好

青春是一個無邊的夢

一部老片子，喜劇&浪漫的舊片。女主角“安笛，麥可道薇爾”之前看過她與“法國大鼻子”合演的經典作品“綠卡”，而“休，格蘭特”之前似乎沒緣得見。那英國式的派頭，一雙“藍兮兮”的眼睛，老式的温柔，不用修飾的洋溢於那張俊臉上，在“四個婚禮和一個葬禮”上。

據説，低成本影片最佳的回報就是給人驚喜，給觀眾，給影評人，給演員，給製片商，象中獎般“四個?一個?”漂亮的做到了，而“藍眼睛”也真正開始走紅。不時有小道消息，呈現生活中的他在尷尬的角度，醜聞似乎與他有緣，本來嘛~銀幕上的，舞台上的人，憑什麼讓人相信其真實的一面，“菲爾，考林斯”不是也有首作品叫“故事的兩面”嘛~

再見“藍眼睛”時，他和“漂亮女人”在“nottinghill”。這是一個“灰姑娘”準確應説是“灰小夥”的故事。在提倡女權主義的現代，應該能十分非常的滿足女影迷的心理。如果有人覺得滑稽&軟弱=“藍眼睛”也不為怪，畢竟提倡和事實完全是兩回事。在今天，男人有時還是要在各方面，而必須偽裝是強者。

儘管“諾丁山”又被翻譯成“新娘百分百”，但與“茱麗亞，羅伯

茨”“新娘三部曲”相比較還是遜色了，尤是“新娘不是我”（又名：我的好朋友的婚禮）。記得那時培訓結束後，為了能親身充分“享受”國人聯絡感情方式，一期的同僚籌資請謝師宴，可能是酒精的原故，班主任不知怎麼會向大家介紹起這部影片，誰都看出不苟言笑的她也已深深被“新娘不是我”打動了~如果哪天買dvd，我會選“諾丁山”，也當然不能錯過“四個?一個?”，但更會搶下“新娘不是我”來收藏。

音樂

精確的講“四個?一個?”最初還是在音樂台看的片段，那時在放“wet wet wet”的mtv，就是該樂隊演繹的主題曲“love is all around”，那時很pop的一首歌，甚至在“billboard”榜上都火了一把~

“諾丁山”原音唱片在音樂電台裏介紹過，幾乎是整張cd的歌，“shania twain”的“you＇ve got a way”很靚的一首抒情作品，“98°”那首“i do”也一如往昔很甜~~但最吸引的非“elvis costello”的“she”莫屬。在女主角的新聞發佈會，適時的音樂響起，兩人那種對視的迷茫，纏繞百轉，“藍眼睛”那複雜憂鬱的表情，實在讓人留下深刻的印象。

而在“諾”和“新”兩部影片裏。也巧遇了alan的兩首翻唱老歌的英文原版，分別是“spencer davis group”的“gimme some lovin＇ ”和

“er/ld ”作曲的不知名的老歌，只記得那場景，“茱麗亞，羅伯茨”得知相交多年的男友，即將結婚，匆匆趕去當伴娘，光陰荏苒，誰知未來無意間拐入旁邊的一條小路，氣氛一下子有了改變，先前的喧囂在這裏消失了蹤跡，凝視着櫥窗裏模糊的身影，一份無依無助的孤獨，偶遇幾張陌生的臉孔，人們平淡而又從容。在機場，兩人再度重逢，那傷感的回憶無比清晰的在心中一遍遍復現、蔓延，而此時那首經典老歌的音樂，緩緩響起??

似是故人來

新世紀的第一年很特別，更巧的是，當年很多同窗，都選了此時告別單身，

不多不少，也是四場婚禮，婚後有的得到了綠卡，有的得到了房子，也有結束了從學生時代的馬拉松，當然??也有愛情。

婚禮上，總會與自己的過去邂逅，一個十多年前，騎車帶我去溜冰的年輕人，今天作為新郎的鄰居，再次的見面而我們又歷經了多少的路程 ，想起那時遭遇“警察叔叔”扣下自行車時的情景，似曾相識的一面之緣，就在那多愁善感而初次回憶的青春裏甦醒。“hi~你還好嗎？”“你呢??”

而在“我最好的朋友”婚禮上，太巧是我的生日，“還從未有如此熱鬧的生日party”（難得也阿q一回~）。婚禮其實是對朋友的一種告別儀式，朋友和婚姻基本上是一對矛盾體，在四場婚禮上，可能我們還是平凡無奇的塵世中的“朋友”，相識十多年的老朋友了，任性的你；自信的你；聰明的你；愛玩的你；帥帥的你，其實心裏都明白，時間在變，我們不可能沒什麼改變，深信不疑將失去“五個好朋友”。只是愛情的感覺應該是甜蜜，温馨，絕對是友情來的。只要彼此真正能夠了解友情的存在，就不必在説什麼了~

世上有比友情更令人感覺温馨的嗎？好酒難得，好友更難得。朋友就是朋友，絕沒有任何事能代替，絕沒有任何詞語能去形容，就是世界上所有的玫瑰，也不能比擬友情的芬芳與美麗。

“你知道你在尋找你的藺燕梅，你知道你在尋找你的童孝賢??你知道你在尋找一種永遠??”聽説最早以前，人是在水中流轉的，而更早以前，水是在時光中流轉的。

黃金十年

還記得學生時代，大家都喜歡開玩笑，互相調侃，時常有“西寶興路1號（火葬場）”脱口而出，現在每天上班都要路過那裏，7~~根本不是什麼1號嘛~誤差太大了，833號才對。年輕時的大家原來都在瞎搗糨糊呢~

畢業時，最後一場集體電影是“滾滾紅塵”，最後一起合唱的是“年輕的朋友來相會”（不知是不是這名字），當班主任最後在黑板上指揮大家一起唱時，年少的我們，來易來，去難去，完全沒有紅塵數十載的人世遊那般感懷。人們關注“大話”似乎其“有趣得緊~”真的嗎？--至尊寶：貴姓？少女：姓林。至尊寶：哦，原來你就是我大哥常説的那個“林青霞”啊。少女：你大哥？至尊寶：其實我大哥真名叫做秦漢，我叫秦祥林??

“滾滾紅塵”裏的倆人還是都説好了，此生不分開的約定 ，一晃眼，卻在紅塵中走散了，慌亂中我攤開手心 ，端詳那條愛過怨過山繞水彎的感情紋路。我到和你相遇的起點，一路前去與你相會，才知道走過這麼多風雨路程。原來你是我生命風景中最留連的一幕??原來起初不經意的我們，分易分，聚難聚。我想25歲之後的十年才是“黃金十年”，人海再遇太意外，“才驚覺到日子將一切東西都變更，看那所有舊名字改變了幾番??”陳百強88年已在感歎“感情到老”，而只有alan依然心不在焉得宣稱“年年25歲”，87年他的“曾經”和“痴心的廢墟”分別是電視劇“黃金十年”的插曲，想起多年前，郊區有線台播過這部由張衞健主演的片子。那時候，初出茅廬的張遠不如今天如此這般“囂張”，可見“十年河西，十年河東。”老童早期的“你在想什麼”裏也有這兩句。而88年紅得發紫的安格，現也漸漸少人問津。那年小心翼翼將你封箱，擺進記憶倉庫的角落，以為你就此完好如初。等候着某一日不期的重逢，直到事過境遷了很久的今日，才記起，是不是因為認不出你在塵埃中變遷的樣子，已早將你傾倒了出去。

接觸年輕和回味過去同樣是一件妙不可言的事，由此自己更會去珍惜和把握現在。沒有人因為時光的流逝而變得衰老，只是隨着理想的毀滅，人類才出現了老人。當你我的心靈深處，接受美好、希望、歡樂、勇氣和力量的時候，你我就變得年輕。

青春是一個無邊的夢

邊界任由你自己劃分

青春是朵一現的曇花

在不經意的剎那綻放

青春是隻上鎖的抽屜

藏滿了年少痴狂的祕密

青春是個無盡的等待

直到你不再天真地期盼它的到來

才明白 原來它一直在你身邊徘徊

第二篇：the FUNERAL

the FUNERAL

-----i love you,miss you

looking at your photographs,i can't help feeling broken-wrenching.

last night ,i missed you again ,painfully a long time,i do not dear to recall my happy days staying with you as it may give me much more each time,behind my smiling face,i will spare some time to bear your more happy we were before,the more broken-hearted i am now.

you are my sister's,she said she thought i feel nothing when i heard your death,but how did i explain it,i feel broken-hearted no less than anyone,because it is you and i who stayed together in the last two months of your had so many splendid meory that i don't even dare to recall,as i am afraid i can't help breaking into tears.

i didn't attend your FUNERAL,because i have no time to come home to look after i heard your illness,i didn't know how to express my feeling,i was reformed that if you if you can't go through that night,you will die.i don't want to believe it,i prayed ,begged,hoping you can go through in my heart ,you are so determined and e the time finally came,you

left me forever.i don't want to cry but why did the tears filled my eyes,face and my heart?you are buried without my farewell,you must be very lonely.i know you are afraid of coldness,now you are lying there lonely,did you fear the coldness and darkness as usual?i don't even see you more,and my memory focused on the day i left home forever when you ran after me while i have to get on the bus.i never thought that it is the last time i saw you know i miss you very much everyday but i have to pretend to be happy.

you must owe all the fault to my parents,i can't blame them because they also love you,but i am still painful and frustrated.i don't want want to talk to them about you because i am afraid i can't help crying and blaming them,they will also feel embarrassed,so anyway ,i hope you can forgive them.

until now,i don't dare to go home as there is no you,i will feel i know it is you fate to die early,i'd rather never met you,only then can i break away from the heartrending sorrow and dear ,i hope you are happy in the heaven,in which case,i will be less guilt . and the scene i left you is the very grief in my life time when i remembered i will hate myself profoundly,it's my leaving you that lead to your death.

my sister let you call me little aunt ,i always refused ,actually,i was really very blissfully ou，i miss you very care

of yourself while i am not staying with you.

第三篇：FUNERAL customs

FUNERAL customs baofengba in yunnan province is a village inhabited by the hans. at the village, i witnessed the FUNERAL of an elderly woman named yin caiyun.

the main room served as the mourning hall. red candles were placed in front of the casket which was flanked by pine branches and red and green paper balls and flowers. after relatives and friends bowed to the deceased, lit the incense and candles, they presented the family with glutinous rice cakes, candies and wine. then they took turns standing by the casket. when the family started to cry for the loss of (本站隆重推薦好範 文網：)a family member, eight men and women with drums on their waists, led by a man with a wooden dragon head in his hand, started to dance to the beat of the drums in vigorous steps. when the music stopped, the dancers started to walk slowly, singing a mourning song.

according to the han custom, a mourning ceremony includes paying respects to the deceased, gift-giving and a banquet given by the family of the deceased to express their thanks to friends and relatives. villagers from baofengba adopted the yi's way of mourning because they thought getting the whole village together to dance and sing at the ceremony was a good way to show their respect for the dead and consolation to the family.

when i left the village i could still hear the loud mourning song: it is very hard to find a thousand-year-old person in the world. it is also not easy to find a hundred -year-old person in the world. i was told that the guests attending the mourning ceremony would take turns to sing and dance all through the night. when the FUNERAL procession was held on the following morning, the family members of the deceased would walk in front, holding the mourning streamer. the younger generation in the family were required to kneel down, letting the casket pass overhead. on the way, people would stop after walking every hun

dred meters to sing and dance around the casket until it was buried in the mountain.

第四篇：at the FUNERAL

at the FUNERAL, the sixty-year-old company president told the forty-eight-year-old widow that the fifty-one-year-old deceased hadmeant much to the company and would be missed and would be hard to replace

.在葬禮上，60歲的總裁安慰48歲的遺孀説，這位51歲的死者對公司的貢獻巨大，沒有人可以替代他的位置。

the widow didn't look him in the eye.

這位遺孀不敢直視他眼睛。

she was afraid he would read her bitterness and, after all, she would need him to straighten out the finances--the stock options and all that.

她害怕他可以讀出她的苦痛，畢竟，她需要他幫忙清理丈夫的財政—股票什麼的。

phil was overweight and nervous and worked too hard.

菲爾超重、焦慮、工作強度太大。

if he wasn't at the office he was worried about it.

如果他不在公司，就會擔心公司的工作。

phil was a type a, heart-attack natural. you could have picked him out in a minute from a lineup.

菲爾是一個a型血，先天易發心髒病。在人羣中，你可以一眼就把他認出來。

i squared my shoulders and saluted and held out the book to the woman, even though while i spoke i felt choked by the bitterness of my disappointment.

"i'm lieutenant john blanchard, and you must be miss maynell. i am so glad you could meet me; may i take you to dinner?" the woman's face broadened into a smile.

"i don't know what this is about, son," she answered,

[05:23.04]"but the young lady in the green suit who just went by,

[05:26.99]she begged me to wear this rose on my coat.

[05:30.18]and she said if you were to ask me out to dinner,

[05:33.55]i should go and tell you that she is waiting for you

[05:36.90]in the big restaurant across the street.

[05:39.61]she said it was some kind of test!"

我挺胸站立，敬了個禮，並舉起手中的書好讓那位女士看。不過在我開口説話的時候，失望的痛苦幾乎使我哽咽。“我是約翰·布蘭查德中尉，想必您就是梅奈爾小姐。很高興您來見我。可否請您賞光吃飯 ? ”

婦女的臉上綻開了笑容。“我不知道是怎麼回事，孩子，”她回答説，“可是剛才走過去的那位穿綠色套裝的姑娘，她央求我把這支玫瑰插在衣服上。她還説，要是你請我吃飯的話，我就告訴你，她就在街對面那個大飯店裏等你。她説這是一種考驗 ! ”

over the years,

[00:21.30]i have written extensively about animal-intelligence experiments

[00:25.92]and the controversy that surrounds them.

[00:28.48]do animals really have thoughts,

[00:31.86]what we call consciousness?

[00:33.92]wondering whether there might be better ways to explore animal intelligence

[00:39.53]than experiments designed to teach human signs,

[00:43.04]i realized what now seems obvious: if animals can think,

[00:48.64]they will probably do their best thinking when it serves their own purposes,

[00:53.98]not when scientists ask them to.

and so i started talking to vets,

[01:00.89]animal researchers, zoo keepers.

[01:03.83]most do not study animal intelligence, but they encounter it,

[01:09.49]and the lack of it, every day.

[01:12.39]the stories they tell us reveal what i'm convinced

[01:17.44]is a new window on animal intelligence:

[01:20.40]the kind of mental feats animals perform when dealing with captivity

[01:26.09]and the dominant species on the planet — humans.

第五篇：west FUNERAL custom

FUNERAL traditions

this main topic focuses on all subjects, but not limited to, topics dealing with modern FUNERAL traditions and customs from the u.s., and abroad. it also covers, FUNERAL etiquette, disposition options, religious rites, wakes,vigils, traditional FUNERAL alternatives, as well as, mourning and grieving practices. it also includes pallbearers, eulogies, processions, obituaries and more.

FUNERAL traditions

burial and FUNERAL customs are the methods and ceremonies used in the disposing of bodies of dead persons. people have always had a deep reverence for the dead. the FUNERAL ceremonies they have adopted have grown out of their views on death and the after life. the most common methods of disposing of bodies are; interment (burial) and cremation

(burning). other forms of disposition include:mummification, bequeathing of the body, direct disposition, cryogenics, and various forms of natural decomposition. many practices are based upon religiousbeliefs, and may directly effect the disposition choice.

FUNERALs customs

disposal of the dead

burial, the method most common in western countries, is usually in a grave in a cemetery plot. sometimes burial is in a vault, or chamber. there are burial vaults in some churches, and some cemeteries have buildings (often called mausoleums) containing al may also be in a stone coffin, or sarcophagus, which serves as a monument to the dead. graves, burial vaults, and burial monuments are all called tombs. in western countries the body is usually placed in the grave on its back, with thelegs fully extended. moslems are buried in the right side, facing holy mecca. when buddhists use burial they put the head to the north with the face upward, as buddha was buried.

early christians adopted the custom of putting the feet toward the east so that at the resurrection the reborn might hurry toward the sunrise. many primitivepeoplesburied their dead in the fetal position, with knees drawn up toward the chin. there was a belief that death is related to birth, and that the body in the grave is awaiting rebirth.

in former times almost every cemetery had elaborate and impressive tombstones. now the trend is toward the simple, and often the stone is merely a marker.

disposal of the dead

burial, the method most common in western countries, is usually in a grave

in a

cemetery plot. sometimes burial is in a vault, or chamber. there are burial vaults

in some churches, and some cemeteries have buildings (often called mausoleums)

containing al may also be in a stone coffin, or sarcophagus, which

serves as a monument to the dead. graves, burial vaults, and burial monuments are

all called tombs.

in western countries the body is usually placed in the grave on its back, with the

legs fully extended. moslems are buried in the right side, facing holy mecca. when

buddhists use burial they put the head to the north with the face upward, asbuddha was buried.

early christians adopted the custom of putting the feet toward the east so that at

the resurrection the reborn might hurry toward the sunrise. many primitive peoples

buried their dead in the fetal position, with knees drawn up toward the chin. there

was a belief that death is related to birth, and that the body in the grave is awaiting

rebirth.

in former times almost every cemetery had elaborate and impressive tombstones.

now the trend is toward the simple, and often the stone is merely a marker.

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