蝴蝶夢觀後感(精選多篇)

第一篇：蝴蝶夢觀後感

學號：ap0709217姓名：林國鋒科目：影視鑑賞

《蝴蝶夢》觀後感

這個學期我選修了《影視鑑賞》這個課程。因爲這個課程經常放電影看的，所以我很喜歡這個課程，不過上了幾周課之後我覺得這個課程慢慢地讓我學會了怎麼去看待一部電影，也讓我學會了怎樣去評價一部好的電影。觀看了那麼多部電影，其中《蝴蝶夢》這部讓我久久回味。在此寫下我觀看後的感想。

本片的故事結構以女主人公回憶的方式倒敘開始。影片開頭便以一個極長的鏡頭，同時配上詩一般的語言構造出具有寧靜，悠遠而唯美的氣氛的世界——這可以說是本片的精華之一，只是若想體會她也許得把整部影片看完了才更有效果！緊接下來——男女主人公去莊園以前的這一部分導演處理的輕快而簡潔，剪輯快速而流暢，用清新而幽默的方式勾勒出女主人公清純活潑而率真的性格，但在某些對話中“暗藏殺機”，暗示出男主人公的陰鬱往事，使影片遊移在一種帶一絲悲觀的歡快氣氛中。

女主人公在(更多內容請訪問好範 文網：)莊園中的經歷是本片的重頭戲，這一段始終沉浸在迷霧般的氣氛與神經質般的節奏中。在這裏可以看到很多經典的西區科克式的製造進展氛圍的手法：鏡頭的緩慢的微微晃動的推移，音樂恰到好處的起落，利落而又微帶跳躍的剪輯，鏡頭的突然變換和人物無聲息的不可預期的突然出現等等。這些技巧雖然已被後人用濫了，但能像本片如此微妙到“殺人不見血”的地步的卻寥寥無幾！

但這一部分最令我佩服的不是這些，而是導演通過影像對人物內心的情緒和心理的細膩刻畫！大量表現主義手法的運用——巧妙採用黑白光影的鮮明對比和室內物件與室外植物的斑駁錯亂的投影，烘托出雖唯美而賦有詩意，但又緊張，令人眩暈不安，同時又帶有一點超現實的氣氛；模糊的霧氣更暗示了人物內心的迷茫和不安，大大增加了本片的藝術渲染力！給我印象最深的是男女主人公在觀看蜜月錄像的那一段，同樣的一處場景，經過前後兩次不同角度的拍攝居然能產生如此大的氣氛反差！後半部分通過銀幕黑白對比與光線的回閃變化反映人物複雜的內心，這裏光影的變化是如此的微妙，和人物心理的變化是如此的對應和同步，以至於幾乎僅用這一手法就能表達一切！只有黑白片纔能有如此強烈的效果。

這部分雖然節奏起伏多變，但變化卻十分柔和精妙，這種細緻是隻有某些文藝片才能達到的。我認爲能有這種效果除了導演對鏡頭調度和剪切的精緻處理外很大程度上歸功於無所不在而又變化莫測的配樂。影片的聲畫結合幾乎完美，尤其是幾處拉窗簾，以及女主人公穿這盛裝下樓梯一邊期待丈夫回頭的段落，令人拍案叫絕！

從男女主人公在海邊小屋裏的對白結束開始，影片的情節趨於明瞭，但同時也微顯平淡，我個人認爲整個審判那一段有一些過於冗長和乾澀，人物的對白略顯羅嗦（至少對於母語非英語的觀衆來說是這樣），和整部影片的基調有些不調和，結構上略欠張力。當然，有幾處細節還是很見功力，例如法庭上對女主人公的臉部特寫，很有緊張感。

影片的結局處理的很有力度和韻味，彌補了前一段的不足，同時與開頭銜接，可謂一氣呵成，又留下幾許回味。這時如果你記得開頭，相信你一定會有想再次去品味她的衝動！其實這個結局在前文已有了暗示（可以注意男女主人公在壁爐前擁抱的那一段），這種微妙的手法在西區科克的其他作品中也有所體現，如美人計中的幾處酒瓶特寫。

人物的塑造也是本片的一大亮點。影片多方位的細膩展現了一個率直，純潔，善良而又癡情的柔弱女子的形象以及她面對陌生冷酷而又迷亂的環境時的內心世界，由影星joan fontaine主演，我認爲總的來說比較到位，只是在個別細節上處理的略爲單一化；本片的人物設置不禁讓人想起了去年的“小島驚魂”，相比之下，kidman更加收放自如一點，但不可否認的是fontaine所飾的角色難度高；兩部影片中的女管家也有相同之處，兩位演員表現的都十分精彩，但小島驚魂中的角色難度係數更高，蝴蝶夢中的那位更多是靠形象和特寫來展現。本片男主人公由laurence olivier扮演，其形象和氣質和角色都很相符，雖無十分出彩之處，倒還自然。

此片是西區科克自英赴美指導的第一部影片，後來成爲家庭懸疑片競相模仿的對象。如今看來，六十年前的光與影至今依然毫無退色，依然能如此打動人心！我不知道爲何此片中文譯名爲“蝴蝶夢”，但我很喜愛這個名字，也許是因爲她如影片本身一樣幽靜，柔美而縹緲的緣故吧！相信這種感覺一定會永久的留在我的心中。

第二篇：蝴蝶夢rebecca觀後感(英語)

rebecca

i like this story’s heroine, the second mrs. de winter. although she is so poor and doesn’t have an extremely pretty face, she has a very pure heart and she is also very kind-hearted. when she meets mr. de winter, her gentle and purity moves his heart deeply. soon they fall in love with each other and even get married. then they return to mandalay, his large country estate. she is very sincere and kind to every servant. mrs. danvers, the housekeeper of mandalay, resents her having taken the place of rebecca, the former hostess. but the heroine politely says to her“i do hope we’ll be friends. you must be patient with me. this sort of life is new to me, and i do want to make a success of it. ”and the heroine loves his husband very deeply, even though there are many troubles in their lives, her love doesn’t change all the time. i really like her goodness.

i don’t like mrs. danvers, the housekeeper. she admires rebecca the former hostess morbidly and even tries to make troubles to divide mr. de winter and the heroine. at last, she perishes together with

her cherished rebecca myth. i think her action is very stupid.

第三篇：rebecca 蝴蝶夢 讀後感 觀後感 summary

rebecca

the introduction of writer:

daphne du maurier (1907-**) has been called one of the great shapers of popular culture and the modern imagination. among her famous works are jamaica inn, the scapegoat, rebecca, and the short story "the birds," all of which were subsequently made into films, the latter two were directed by alfred hitchcock.

the introduction of film director:

alfred hitchcock (1899-1980), an english director. he has learned engineering at london university. then he began to produce a film in 1920 and direct his first work 6 years later is acknowledged as one of the most incomparable master in the history of film because of advanced technology and completed details. the thirty-nine steps (1935) and the lady vanishes (1938) are the english film under his direction. the film rebecca (1940) is his a american work and win the bid for the oscar prize in that year. later, he has directed the film phycho (1960), the birds (1963) and frenzy (1972).

the ubiquitous rebecca

i spent the majority of this film thinking about how lucky m. olivia really was. to be able to wrap his arms around joan fontaine and kiss her. she's one of the most beautiful women i've ever seen. she's also absolutely perfect in the role of the second mrs. dewinter, taking a character that could have transformed her into a sympathetic and interesting figure.

the movie, on the whole, is similarly amazing, capturing the spirit and the tone of those great gothic romances. watching rebecca, i reminded pleasantly of his other films i have seen, such as the rear window, just for grace kelley .i love her wonderful show in this film ally, i like all the films she was in. and it is a pity that she departed hollywood and was willing to marry a king in reality.

i must assume that the guiding hand of hitchcock played no small role in１

recreating the feel of a gothic romance. there are very few that would be able to take a love story, infusing it with such gloom, with such a sense of gothic scary, and still manage to create something that ends happily . i'd also like to draw everyone's attention to the incredibly moving section of the film that occurs between the arrival of the second mrs. dewinter at manderly. the emotional change on the joan fontaine character is so palpable which pains me to watch. i feel hurt along with her. few other movies affect me so deeply in emotion.

on a cliff of south france, she meets an odd, grieved, but glamour man by mistake. maxim de winter has lost her wife several years ago. apparently, he is in blue mood because his wife was drawn herself and even he wants to commit suicide for frustrated love. but the true fact is that maxim has killed his wife and he could not escape the feeling of evil, and he is in scary everyday spirit of rebecca is wander in manderly. then er fall in love with that lovely and kind-hearted girl and propose to her when she is going to leave with her master. so, they come back together to manderly.

mrs. danvers has never shown her emotion in the house. she is a woman filled of mystery. her ramble represent in the room will make you can not breath and quicken your rate of heart. she always representing in where she should have not and with the statue of higher position. it seems that mrs. danvers is a rebecca. in this film ,the photographer has never paned the camera to mrs. danvers to display her coming, but make the music and sound go faster than her. under her caution arrangement in the house, a sense of horrible feeling is flooded into the young lady.

mrs. winter is trapped in uneasy state now. of course, she eagers to blend with the family life well with the other people. but anything she could find suggests that her husband still love rebecca. therefore she planted to wear the new dress like the oil painting in the room so that to make her husband happy and love her more. what is she never can know is that the women in dress on the oil painting is rebecca, which disclose a murder case many years ago! when mr. winter has seen her dress, he is extremely angry. his bad temper and odd manner let her feel hurt. in order to save her heart, he admits that he killed rebecca, that immoral, heartless and evil-minded

woman.

mrs. winter nearly commits suicide under the huge press coming form mrs. danvers. the dead woman, rebecca, has so much mystery upon her. at this time, the sunken ship with the body of rebecca is found on the sea and her cause to death allure curiosity. later, the winter couple knows that rebecca has infected heavy cancer before her death, and she took advantage of this to revenge mr. winter. mrs. danvers burn manderly with herself accounting for she can not receive the result, the rebecca in contrive sincere and affection love forms each other after they know the fact of all things.

i have never known the looks of rebecca, but felt her ubiquitous in the room. mr. winter and his wife live in the room filled of the letter r, which represent the ex-wife of mr. winter, rebecca, the hostess in manderly. the film rebecca has never forgotten to make exaggerated additions to the handkerchief, bed sheet and clothes. and this not existing rebecca promote the development in this story and affect everyone once has went along with her seems like mrs. danvers is another rebecca. and i see a strong and existing form her speech and smile. this typical style to shoot a film is out of the ordinary and imitated by people in the following days to film mystery movies.

第四篇：蝴蝶夢

我在睡夢中回到了曼德利。大路蜿蜒地展開，依然如故，漸漸地，大路變成了狹窄

的小徑，月光透過樹的空隙，灑向大地??法國南部的海濱，浪濤呼嘯，浪花飛濺。

陡峭的懸崖上，站立着一個四十歲左右的中年男子。他凝視着大海，往前移動了一

步??

我不由大聲喊起來：“站住！”

那個男子被喊聲一驚，回過頭來，怒視着我，責問我爲什麼喊他。

我當時年方二十，帶着畫夾。他咄咄逼人地打量着我，我忽然明白，他並沒有想跳

海自殺。

我連忙離開，邊走還邊回頭看他，覺得這人很怪。

在蒙特卡洛的公主飯店，大廳內，我正陪主人範霍珀太太坐着，那個被我誤認爲要

跳海的男子瀟灑地走了進來。

範霍珀太太高興萬分：“啊！是德文特先生！”她對豪富的德文特大獻殷勤，德文

特卻很冷淡，相反，卻很願意和我說話。

德文特走了。範霍珀太太告訴我：“可憐的人啊，他在懷念他死去的妻子。”第二天，在公主飯店的餐廳裏，我又遇見了德文特。他邀我共同進餐，並對自己昨

天的不禮貌行爲道歉。我如實告訴德文特，我是爲了生活，被僱來當範霍珀太太的伴侶

的。我們漸漸熟悉了。經常利用範霍珀太太生病的機會，悄悄去海邊散步，畫畫，談心。

從德文特那兒，我知道了，他出生、成長在美麗的曼德利。只是不知爲什麼，德文特不

願回憶曼德利。

那天晚上我回到飯店範霍珀太太處，只聽她正對護士談論着德文特：“我非常瞭解

德文特，也瞭解他的夫人。在她沒有結婚以前，是個有名的美人，叫麗貝卡。可憐的人

哪，在曼德利附近駕着小帆船時淹死了。當然羅，他從來不和人談起這件事，他的心都

碎了。”

範霍珀太太的病好了。她的女兒來了份電報，要她馬上去紐約。她決定帶着我馬上

動身。

我的第一個念頭就是要把這消息告訴德文特，讓他知道我要走了。可是電話打去，

他卻不在。中午，汽車開來接我們。我找了個藉口，又一次去找德文特。他剛回來。我

告訴他我馬上就要離開的消息，他卻突然向我求婚。

範霍珀太太一人去紐約了。我和德文特在市政府結婚大廳，向市長領取了結婚證書。

婚後，我和德文特在一個大雨天坐汽車回到了曼德利。曼德利，它像中世紀的建築，

座落在平坦的草原深處，花園通向海邊。遠遠望去，像海市蜃樓，美不勝收。我和德文特一同走進豪華的大廳，一大堆僕人早已列隊在那兒歡迎我們。一個穿着黑色長裙的婦人幽靈般地出現在我前面，她就是德文特已故夫人麗貝卡過

去的貼身女僕丹佛斯太太。她的舉動莊重而老練，表情和語調卻又冷淡得可怕。我成了曼德利的女主人。但出身貧寒的我，對曼德利的生活總不大習慣，曼德利的

氣氛使我感到困窘不安：丹佛斯太太對我始終擺出傲慢、冷漠的態度，言必稱麗貝卡，

一切生活安排都以過去麗貝卡的愛好爲準則；住宅四處是舊女主人留下的痕跡、餐巾上，

枕套上，通訊簿上，繡着或寫着麗貝卡名字的第一個字母“r”，老是刺眼地顯現在我

面前。

我和德文特散步來到海灘。海濱方向有一個停船的小灣，我想去看看，德文特卻駐

足不前，神情緊張而慍怒。我再三請求，他才勉強同意我一個人去。

沿着海灣的小路向前，我發現了一座小屋。我正想轉身回去，小屋門輕輕地開了，

走出一個模樣很怪的人，他衣衫襤褸，目光呆滯。

小屋內，我又意外地看到了那熟悉的麗貝卡的符號：“r”，繡在牀毛毯上。那個怪人用發呆的目光望着我，口中吶吶：“她到大海里去了，??永遠不回來

了。”

我逃似地離開了那裏。德文特正在原處等着我。當他知道我去過那間小屋時，非常

生氣。我問他爲什麼，他粗暴地大聲喊着：“因爲我恨那個地方，??甚至連想都不願

去想它！”

望着德文特那難看的臉色，我難受地哭了。德文特爲自己剛纔的失態感到後悔，轉

而溫柔地安慰我：“原諒我，有時我無緣無故地發火??把這一切忘掉！”後來，我聽管家弗蘭克說：“麗貝卡過去經常將她乘坐的小船停在那間小屋附近。

一次，她一人出海，船翻了，沉了。兩個月以後，在四十里外的地方發現了麗貝卡的屍

體。德文特去認的屍。我問弗蘭克，麗貝卡究竟是怎樣的人。”弗蘭克回答說：“可能

是??我有生以來所見過的最漂亮的人。”

一天，德文特到倫敦去了。我一人在家，走到西房，遇上丹佛斯太太和一個男人說

話，這個男人放肆、輕浮、惹人厭。他自稱是麗貝卡的表哥。

這位“表哥”走後，我向西房走去。這是麗貝卡住過的房子，陳設極爲華麗。丹佛斯太太幽靈般地出現在我的眼前。她向我炫耀着麗貝卡生前的衣物，沉浸在對

麗貝卡的回憶中：“有時我在走廊裏走的時候，好像聽到她那輕快的腳步在我的身後似

的，??她不僅在這屋裏，而且在整個這座樓裏。??”

我再也無法忍受，逃也似地離開了西房。

德文特回來了。爲了使我自己，也使德文特忘記過去的不快，我決定舉辦一次盛大

的舞會。

舞會上我將怎樣打扮？我自行設計了好幾張草圖，都不滿意。丹佛斯太太建議我穿

一套華麗的白色禮服。不想舞會那天，當我穿着這樣一套衣裙出現在客人面前時，比阿

特麗絲失聲喊道：“麗貝卡！啊??”而德文特則更是惱怒：“你穿的什麼呀？”“走，

快去脫掉。”

我又驚又怕，簡直無地自容，急忙轉身回樓上。我不知不覺跑到了西房，丹佛斯太

太正在那裏整理鮮花。她冷酷地對我說：“雖然你們穿的是同樣的衣裳，可是你沒法跟

她比。”牀上的枕套上，繡着的“r”字隨着丹佛斯太太陰險的聲調，彷彿也在向我逼

近。

我痛苦，怨恨，無所適從。

突然，兩顆信號彈射向天空，海灘上出事了。我聽見喊聲：“船擱淺了。”我隨着奔跑的人羣，也來到海灘。遇見弗蘭克。弗蘭克告訴我，出事了，潛水員在

海里檢查船底時，發現另一條小船，那是麗貝卡的小帆船。

霧很大，我在海灘上尋找德文特，終於在小屋裏，發現他一人孤獨地坐在那裏。德

文特頹然地對我說，他日夜最怕的事發生了：“麗貝卡勝利了，她的影子一直在我們倆

之間，使我們發生隔膜??”“我恨麗貝卡。”

德文特終於向我吐露了真情。原來，麗貝卡是個放蕩成性的女人，生活墮落，喜歡

勾引男人，還公然與那位“表哥”幽會，這個小房便是他們常到的地方。一天，就在這

間小房子裏，麗貝卡刻毒地告訴德文特說她懷孕了，孩子是別人的，並挑釁地問德文特

敢不敢爲此而殺死她。德文特氣憤已極，正在動手打她，她突然自己衝了過來，不料腳

下被東西絆了一下，頭一下撞在鐵的船具上，死了，德文特怕被人說是自己打死了麗貝

卡，便假認了一具女屍，而將麗貝卡的屍體裝入船內沉入海底。

如今，沉船被發現了，麗貝卡的屍體重新出現，德文特將難逃殺人罪名。麗貝卡這

個幽靈難道真的無所不在，要毀壞我的幸福嗎？不！我決心和德文特一起分擔一切後果。

因爲我們彼此深深相愛。

經過驗屍檢查，根據麗貝卡臨死前留下的請柬，通過向麗貝卡生前保健醫生的調查，

德文特終於被確認是無罪的。麗貝卡當時患了癌症，知道自己死期已近，才存心嫁禍於

德文特，激德文特殺她，不想跌倒而死。

麗貝卡徹底失敗了。丹佛斯太太不甘心於此。夜晚，富麗而安靜的曼德利，丹佛斯

太太舉着蠟燭點燃了窗簾、桌布??一場大火燃燒了起來。

我當時正在睡夢裏，被及時趕到的德文特救了出來。

丹佛斯太太在燃着大火的屋內奔跑，滿臉忌妒，憤恨和幸災樂禍的複雜表情。她從

西房的窗戶往下看。熊熊的烈火在燃燒，美麗的西房被濃煙烈火吞沒??

第五篇：蝴蝶夢

蝴蝶夢

我常在夢中夢到一隻只蝴蝶，圍着我飛來飛去，但當我要去抓它們的時候卻摔了好幾個跟頭，因而從夢中驚醒。

好幾前，爺爺曾帶我去少年宮觀看蝴蝶展。我被那美麗的蝴蝶所散發出來的魅力感染了。從此，我愛上了蝴蝶。

我的qq網名叫“水蝴蝶夢”。因爲我愛蝴蝶，也因爲在夢中常夢到蝴蝶。我有很多美好的幻想，但大都是不可能實現的，我想讓在夢中夢到的蝴蝶帶着我的美好夢想像水一樣破碎，去想一些自己能夠實現的事情。

我看過一部很傷感的情感片，叫《蝴蝶飛飛》。片中的女主人公很喜歡蝴蝶，她的腿上有一隻蝴蝶紋身。男主人公與她的愛情經歷了很多坎坷卻沒有實現。因爲女主人公患了無藥可救的病。她們的愛情像蝴蝶一樣在寒冷的冬天結束了??

美麗的蝴蝶啊，你懂得我對你一往情深嗎？