企業文化英文(精選多篇)

目錄

第一篇：中國石油天然氣集團公司企業文化用語規範英文表述第二篇：企業文化,文化企業第三篇：中國文化 英文介紹第四篇：關於文化差異的英文作文第五篇：關於中國文化的英文文章更多相關範文

正文

第一篇：中國石油天然氣集團公司企業文化用語規範英文表述

中國石油天然氣集團公司

企業文化用語規範英文表述

一、標識 logo

標識圖樣爲“寶石花”，色澤爲紅色和黃色，爲中國國旗的顏色。外觀呈花朵狀，體現中國石油創造能源與環境和諧的社會責任。十等分的花瓣圖形，象徵中國石油多項主營業務的集合。紅色基底體現中國石油的基礎深厚，初升的太陽象徵中國石油前程似錦。

our logo is a flower radiating red and yellow, the same color pattern as the national flag of china. it embodies our commitment to the harmony between energy and the environment. the ten petals in the logo represent our core businesses. the red base symbolizes our solid foundation as a state-owned enterprise and the rising sun indicates our bright future.

二、企業宗旨 corporate mission

奉獻能源，創造和諧

energize·harmonize·realize

或caring for energy, caring for you

三、企業精神 corporate philosophy

愛國、創業、求實、奉獻

— 3 —

cnpc is a company that values patriotism, honesty, dedication and entrepreneurship.

四、企業核心經營管理理念

core operational and managerial principles

誠信、創新、業績、和諧、安全

credibility and integrity, creation and innovation, performance and achievements, harmony and balance, safety and security

五、其他常用表述

1．大慶精神 2．鐵人精神 3．三老四嚴the spirit of daqingthe spirit of the daqing iron man“three honests”: to think, speak and

act honestly;

“four requirements”: high

standards, systematic organization,

responsible attitude, and strict

discipline.

4．新時期鐵人 5．精神文明建設 6．主人翁精神 8．艱苦創業精神

— 4 —modern daqing iron manmoral and ethical enrichmententrepreneurial spirit 7．團結協作、團隊精神teamworkenterprising spirit

9．以人爲本

10．資源優化配置

11．公益事業

12．管理提升

13．綠色、國際、可

持續的中石油

14．資源、市場、國

際化戰略

15．兩級行政、三級

業務管理模式

16．全面建成世界水

平綜合性國際能

源公司

17．立足國內，走向

國際

18．用發展的目標鼓舞

人，用宏偉的事業

凝聚人，用科學的

機制激勵人

19．打造綠色、國際、

可持續的中石油 people-first optimization of resources allocation public welfare operation improved management a green, international and sustainable company our strategies for resources, market and internationalization 2-level administrative management model and the 3-level business management model to build cnpc into a major integrated international energy corporation base ourselves at home and expand business inspire our employees with ambitious goals, unite them with our common cause and support them with sound human resource policies to build cnpc into a green, international and sustainable

— 5 —

corporation

20．建設忠誠、放心、 cnpc is a reliable and trust-worthy

受尊重的中石油 corporation.

make full use of both21．兩種資源、兩個市 to

場

22．資源節約型、環

境友好型企業

23．互利共贏、共同

發展

24．與時俱進，開拓

創新

25．以人爲本，安全

第一

26．構建學習型企業

27．戰略性結構調整

28．跨越式發展

29．綜合一體化優勢

30．自主創新能力

31．整體協調發展

—6 — international and domestic resources and markets a sustainable and environmentally friendly enterprise mutually beneficial cooperation for common development setting the standard with innovative strength and pioneering spirit people and safety first to build a corporate culture of continuouslearning strategic business adjustment to achieve a leapfrog development comprehensive and integrated strength innovation capabilities integrated and coordinated

development

32．戰略自信、體制 to have full confidence in the

自信、文化自信 strategies,institutions and culture

of cnpc

— 7 —

第二篇：企業文化,文化企業

企業文化，文化企業

文化，一個廣泛的概念。文化是一種社會現象，是人們長期創造形成的產物，同時又是一種歷史現象，是社會歷史的積澱物。而文化的定義又有上百種，包括：社會、歷史、人文、傳統、生活、藝術等等，是人類之間進行交流的普通認可的一種能夠傳承的意識形態。

何爲企業文化？企業文化是指企業在長期生產經營過程中形成的獨特的企業價值觀、企業精神，以及以此爲核心而生成的行爲規範、道德標準、生活信念、企業風俗、習慣的總稱。它是企業在經營管理過程中創造的具有本企業特色的精神財富的總和，對企業成員有感召力和凝聚力，能把衆多人的興趣、目的、需要以及由此產生的行爲統一起來，是企業長期文化建設的反映。企業文化在現代企業經營中的巨大作用日漸凸現出來，成爲企業經營最深厚的基礎和最根本的要素。有無深厚的文化底蘊，是否擁有博採衆長又獨具特色、富有個性化魅力的企業文化，直接決定着企業的市場競爭能力，決定着企業的興衰與成敗。日益進步的社會需要跟上時代潮流的新時代文化含義，當然企業也不甘落後，一大批企業文化展露出來。出現了更多新穎的文化形式。企業文化的種類有四大類，由表及裏順次爲物質文化、行爲文化、制度文化、精神文化，各層面之間有着密切的內在聯繫。以個別事例舉例：阿里巴巴的“家庭文化”，此企業文化以使員工在企業中工作時感受到家庭氛圍爲目的的企業文化，與一般企業不同，阿里巴巴的企業文化注重自由，隨性。再有，海爾“品質”文化：由海爾老總親自創造的企業文化，以產品質量的保證作爲穩固的企業文化，曾

一度獲得廣大百姓的一致好評。還有品牌企業文化，如沃爾沃汽車品牌，大多數人一想到沃爾沃就會立馬想到其安全可靠的特點，這就是企業文化的一大作用。物質文化是行爲文化、制度文化、精神文化以物質形態表現出的表層文化，它包括企業進行生產經營的物質基礎等企業“硬”文化；行爲文化是制度文化、精神文化的動態體現，也是團隊精神和價值觀的折射，體現在企業員工行爲的價值取向、行動目標等方面；制度文化是塑造精神文化的機制與載體；精神文化是更深層次的文化現象，是企業文化的核心內容，包含生產經營理念、管理作風、企業價值觀、企業道德等構成企業的“軟文化”。

何爲建築工程管理？工程管理專業培養具備管理學、經濟學和土木工程技術的基本知識，學生在校學習期間，要接受工程師和經濟師的基本素質訓練，打好工程技術、管理、經濟、法律、外語及計算機應用方面的堅實基礎。管理學院在對工程管理專業人才培養過程中，積極提供相應條件，使學生根據自身能力，能夠攻讀相關學科專業的雙學位和雙專業。專業方向的主要課程包括：建設法規、建築技術經濟學、工程估價、財務管理、統計學、運籌學、經濟學、會計學、工程建設合同管理、建築結構經濟學概論、工程項目管理，工程項目成本規劃與控制、建設項目風險管理、工程建設信息管理、工程建設項目投資與融資等。

專業和文化的交融，如何進行？作爲浙江學院經濟管理系建築工程管理專業的一名大二學生，我對自己的專業也有所瞭解，在校的這段學習時間我們的學習重點在建築工程試圖，力學研究以及建築法規

等等方面進行初步的學習，而在大三初期我們的學習重點會從學習方面轉向實際實踐的方面發展。而我們的畢業生大多以公司項目經理爲奮鬥目標進行努力，一般實際工作5年左右即有升職機會。 個人認爲建築工程管理專業需要大力發揚“管”和“理”的重大理念，“管”即管制企業內部的工作，員工，文化內涵。而“理”則爲理解深層次的企業思想和發展道路。一般以精神文化爲主，旨在帶動企業的成員共同努力。用價值觀引導員工，自覺把實現企業價值和實現自我價值聯繫在一起，使員工和企業間產生價值觀的認同和感情共鳴，使員工行爲的自我功效得以更大程度的提高，這可稱之爲“沒有管理的管理”，這種管理更具有持久性、更加有力、更加富有成效。第二，激發與獎勵，激勵是一種精神力量或狀態。它可以調動與激發員工的主動性，最大限度地發揮員工的積極性和創新精神。物質激勵到一定程度，就會出現邊際遞減現象，來自企業文化提供的精神激勵，卻是持久的、強大的。

企業文化，文化企業。擁有自身“企業文化”的企業在發展方向，發展前途，發展情況等方面會取得很大的進步。擁有屬於自己的企業文化會使得企業脫胎換骨，更上一層樓。

第三篇：中國文化 英文介紹

京劇臉譜（beijing opera types of facial makeup in operas）

beijing opera types of facial makeup in operas, is a special feature of a

national cosmetic. as each historical figure or a certain type of person has an approximate spectral type, like sing, play music to the music, so called “types of facial makeup in operas”. on the types of facial makeup in operas sources, the general view is from mask.

beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. red has expressed his warriors of strong types of facial

makeup in operas such as guan yu, concubines victoria, regular book; black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as zheng and zhang fei, li; yellow types of facial makeup in operas that vicious brutality, such as yu chengdu, and dian wei. blue or green types of facial makeup in operas that some of the figures represented irritable, such as dou ambassador, ma wu; general treacherous court official said the types of facial makeup in operas white, bad guys, such as cao cao, zhao higher.

beijing opera types of facial makeup in operas of color painting methods, basically divided into three categories : rub face, face towel, different faces. types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological

characteristics, and using this to the entire drama circumstances, but later types of facial makeup in operas by kan to complex, from rough to the small, youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts.

中文對照:)~

京劇臉譜，是具有民族特色的一種特殊的化妝方法。由於每個歷史人物或某一種類型的人物都有一種大概的譜式，就像唱歌、奏樂都要按照樂譜一樣，所以稱爲“臉譜”。關於臉譜的來源，一般的說法是來自假面具。

京劇臉譜，是根據某種性格、性情或某種特殊類型的人物爲採用某些色彩的。紅色有臉譜表示忠勇士義烈，如關羽、姜維、常遇春；黑色的臉譜表示剛烈、正直、勇猛甚至魯莽，如包拯、張飛、李逵等；黃色的臉譜表示兇狠殘暴，如宇文成都、典韋。藍色或綠色的臉譜表示一些粗豪暴躁的人物，如竇爾敦、馬武等；白色的臉譜一般表示奸臣、壞人，如曹操、趙高等。

京劇臉譜的色畫方法，基本上分爲三類：揉臉、抹臉、勾臉。臉譜最初的作用，只是誇大劇中角色的五官部位和麪部的紋理，用誇張的手法表現劇中人的性格、心理和生理上的特徵(請你繼續關注本站)，以此來爲整個戲劇的情節服務，可是發展到後來，臉譜由簡到繁、由粗到細、由表及裏、由淺到深，本身就逐漸成爲一種具有民族特色的、以人的面部爲表現手段的圖案藝術了。

京劇，是中國的傳統藝術。它起源於1840年，盛行於20世紀三、四十年代，是中國的國粹。京劇的伴奏是以二胡等爲主，配合演員唱腔、唸白、動作、

武打，達到音樂美與舞蹈美的統一。京劇耐人尋味，回味悠長，把各種故事、道理融入一段段表演中，讓人在美的享受的同時，得到昇華。可是，在節奏日益加快的今天，京劇已被大家漸漸漠視、遺忘。這是讓人心疼的事情。我們應該提高對京劇的認識，多多接觸傳統，讓孩子們熟悉它，熱愛它，讓它重新綻放迷人的生命。

beijing opera, is a traditional chinese originated in 1840, prevailed in the 1930s and 1940s, is the quintessence of chinese culture. peking opera on the erhu, and give priority to, accompanied with actor singing, nianbai, action, the martial arts, achieve music beauty and dance beautiful unity. beijing opera intriguing, the aftertaste is long, all sorts of stories, reasonable performance in bits and pieces, let a person be in beautiful enjoyment at the same time, get distillation. but, in rhythm of rapidly today, peking opera has been gradually ignore, forgetting all. this is to let people love of things. we should improve the understanding of beijing opera, great contact traditional, let the children know it, love it, let it back to blossom glamorous life.

beijing opera is a chinese historial artical opara, which is a combination of singing,saying,dancing and martial art. it's the quintessence of china.

peking opera has a 200-year-long history. its main melodies originated from xipi and erhuang in anhui and hubei.

it is believed that peking opera gradually came into being after 1790 when the famous four anhui opera troupes came to beijing. peking opera underwent fast development during the reign of emperor qianlong and the notorious empress dowager cixi under the imperial patron, eventually becoming more accessible to the common people.

in ancient times, peking opera was performed mostly on stage in the open air, teahouses or temple courtyards. since the orchestra played loudly, the

performers developed a piercing style of song that could be heard by everyone. the costumes were a garish collection of sharply contrasting colors to stand out on the dim stage illuminated only by oil lamps. peking opera is a

harmonious combination of the grand opera, ballet and acrobatics, consisting of dance, dialogue, monologues, martial arts and mime.

the peking opera band mainly consists of an orchestra and percussion band. the former frequently accompanies peaceful scenes while the latter provides the right atmosphere for battle scenes. the commonly used percussion

instruments include castanets, drums, bells and cymbals. one person usually plays the castanets and drum simultaneously, which conduct the entire band. the orchestral instruments include the erhu, huqin, yueqin, sheng (reed pipe),

pipa (lute) and other instruments. the band usually sits on the left side of the stage.

介紹旗袍

qipao (ch'ipau) is one of the most typical, traditional costumes for chinese women. also known as cheongsam, it is like a wonderful flower in the chinese colorful fashion scene because of its particular charm.

in the early 17th century in north china, nurhachi, a great political and military strategist, unified the various nuzhen tribes and set up the eight banner system. later he led his troops into beijing and overthrew the ming dynasty. over the years, a collarless tube-shaped gown was developed, which was worn by men and women. this is the embryo of the qipao. it became popular among the royal palace of the qing dynasty and the mansions of the manchu nobility. at that time, it was loosely fitted and long enough to reach the insteps. usually it was made of silk, and embroidered, with broad laces trimmed at the collar, sleeves and edges. the dress empresses of past dynasties wore them. their style of dress was regarded as the highest of standards for chinese women for several thousand years.

the only medium to display the elegance of a human body is an elegant

costume. whatever costume a woman wears, in addition to magnificence and nobility, she must have a thirst for elegance or beauty. perhaps that's the reason why qipao was born.

in the past, the collar of the costume was made high and tight-fitting to keep warm. qipao has incorporated this feature, not just for preventing coldness but also for beauty. the collar of qipao generally takes the shape of a semicircle, its right and left sides being symmetrical, flattering the soft and slender neck of a woman. the collar of qipao is meticulously made, especially the buttonhole loop on the collar, which serves as the finishing touch. we can't help but admire the designers' artistic originality. the design of the front of qipao depicts the maturity of women properly, reminding people of the line of a

chinese poem 'a garden full of the beauty of spring can not be prevented from being enjoyed.'

qipao generally has two big slits at either side of the hem for convenient

movement and display of the slender legs of women. unlike a short-length skirt, the slits of qipao expose a woman's legs indistinctly when she walks, as if there was a blurred emotional appeal of 'enjoying flowers in mist.'

qipaos can display chinese women's modesty, softness and beauty. like chinese women's temperament, qipaos are elegant and gentle.

like other costumes, the beauty of qipao comes first. simplicity is one of its features from the collar, loop, chest, waist and hips to the lower hem, and a qipao almost varies with a woman's figure. it not only lays stress on the natural beauty of a female figure, but also makes women's legs appear more slender. mature women in qipaos can display their graceful refined manner.

besides its simplicity, qipao provides designers with vast, creative space: some short, some long, with low, high, or even no collars at all.

practicality always goes with beauty. qipaos are worn in both urban and rural areas, its long-standing elegance and serenity making wearers fascinating.

when wearing qipao, women should pay attention to the match as a whole; particularly middle-aged or elderly women should do so. hairstyles, jewelry, socks and shoes should match qipaos properly in color and design.

today, with the development of the market economy in china, designs or

styles of fashions are so dazzling as the stars that the eye cannot take them all in. as a result, people are often at a loss what to choose when facing the vast sea of fashions. on the other hand, it is just a golden opportunity for chinese national costumes to regain their popularity. fashion culture has become a point of intersection of social culture, reflecting economic developments, social progress and educational level. it represents people's spirit, living standards and aspirations towards beauty.

紐約時報旗袍

the cheongsam is a female dress with distinctive chinese features and enjoys a growing popularity in the international world of high fashion.

the name "cheongsam," meaning simply "long dress," entered the english vocabulary from the dialect of china's guangdong province (cantonese). in other parts of the country including beijing, however, it is known as "qipao", which has a history behind it.

when the early manchu rulers came to china proper, they organized certain people, mainly manchus, into "banners" (qi) and called them "banner people" (qiren), which then became loosely the name of all manchus. the manchu women wore normally a one-piece dress which, likewise, came to be called "qipao" or "banner dress." although the 1911 revolution toppled the rule of the

qing (manchu) dynasty, the female dress survived the political change and, with later improvements, has become the traditional dress for chinese women.

easy to slip on and comfortable to wear, the cheongsam fits well the female chinese figure. its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. the dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

the cheongsam is not too complicated to make. nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions. in either case, it creates an impression of simple and quiet charm, elegance and neatness. no wonder it is so much liked by women not only of china but of foreign countries as well.

以下這篇關於中國旗袍的完整介紹內容，應值得你參考：

chinese cheongsam (qipao)

the cheongsam is a female dress with distinctive chinese features and enjoys a growing popularity in the international world of high fashion.

the name "cheongsam," meaning simply "long dress," entered the english vocabulary from the dialect of china's guangdong province (cantonese). in other parts of the country including beijing, however, it is known as "qipao", which has a history behind it.

when the early manchu rulers came to china proper, they organized certain people, mainly manchus, into "banners" (qi) and called them "banner people" (qiren), which then became loosely the name of all manchus. the manchu women wore normally a one-piece dress which, likewise, came to be called "qipao" or "banner dress." although the 1911 revolution toppled the rule of the qing (manchu) dynasty, the female dress survived the political change and, with later improvements, has become the traditional dress for chinese women.

easy to slip on and comfortable to wear, the cheongsam fits well the female chinese figure. its neck is high, collar closed, and its sleeves may be either short, medium or full length, depending on season and taste. the dress is buttoned on the right side, with a loose chest, a fitting waist, and slits up from the sides, all of which combine to set off the beauty of the female shape.

the cheongsam is not too complicated to make. nor does it call for too much material, for there are no accessories like belts, scarves, sashes or frills to go with it.

another beauty of the cheongsam is that, made of different materials and to varying lengths, they can be worn either on casual or formal occasions. in either case, it creates an impression of simple and quiet charm, elegance and neatness. no wonder it is so much liked by women not only of china but of foreign countries as well.

第四篇：關於文化差異的英文作文

關於文化差異的英文作文

the culture differences between the east and west.

as we know ,there are so many differences between culture of the east and west that i can not list all of their different aspects.i will focus on the differences of diet custom and teaching your better understanding ,i will set examples of china and america.

it is no doubt that it is a tradition to use chopsticks for people in america prefer to forks and different result is based on different food they are like icans choose to eat beefsteak,bread,and salad,while chinese people choose noodles ,pancakes and is more,the custom of drinking tea in china and drinking coffee in america are stand out ver,there is a trend that the food in both countries has been example,the coffee and bread have introduced to famous kfc is very popular at children. the gap of teaching system between china and america is ese students always complain about their much homework has limited the time to exercise and

have to recite many things as to get a high work comes the first to them.

in my opinion,the study in america is more interesting hers pay attentions to training students skills in thinking in realastic life not to emphasis on the importances of a addition,the rate of going to school ,the salary of teaching ,and the job of gruduates are quite different,too.i should say that chima government should make great efforts to improve its teaching syetem.i am also expect to be one day ,the west give more cheers to our country.

第五篇：關於中國文化的英文文章

lucky number is part of our culture

to my way of thinking, the so-called lucky number represents the characteristics of our culture. we chinese have a tradition: whenever we have important things to do, we always select the day we think lucky. such as: the "10.10.10" day (october 10, 2014), we regard it as the prefect day. for in our culture, “10” as a very lucky number means everything is perfect.

this tradition is gradually formed in history. as we all know, china have a very long history. the nature is very sacred then, and our ancestors try their best in order to gain its help, hoping everything run smooth. so when they were to do things, they usually choose something which indicates good fortune. as the time passes, this habit slowly becomes a tradition, and gradually expands every aspect of life. for example, chinese people like wear the red clothes, because in our eyes the red indicates positive, smooth, prosperous.

among this, the lucky number is the especial example. now the number seems to appear everywhere in our daily life. such as: our telephone number, various bank card number, id number, vip card number, house number and so on. the number four looked as unlucky, for its pronunciation sound as the word “death” in chinese. so is the number seven. however, six, nine, ten are lucky numbers. affected by this culture, most of us prefer to use the so-called lucky numbers. therefore there are lots of couples choose the” 8.8.8” “9.9.9” ”10.10.10”day when they marry.

all in all, the lucky number is part of our culture. all things we can do are holding a respect and accept of attitude to it.

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